Asserting
that worship leadership involves artistry, Marcia McFee’s essay in Liturgy 30, no. 2 entitled “Ritual
Artistry in a Digital Age: Planning Design with the World at Our Fingertips,”
not only offers a detailed approach to working with a worship planning team but also
explains how and why it is good to acknowledge that artistry is a key part of
worship.
The
term ritual is commonly used in a pejorative way to connote dry, unintentional,
rote carryings-on of worship resembling religious artifact or simply moving
through the motions much like the agenda of a meeting. But I’m using the term
ritual in its full and deeper sense.
Definition
of ritual: Christian ritual happens when engaged persons express and enact their
deepest longings through repeated as well as innovated sensory-rich languages
in such a way that the Spirit of the Living God is experienced and imprinted
upon them so that they are convicted and sent into the world to go and do
likewise as disciples of Jesus Christ.
Such
an awesome task requires a kind of artistry. Communicating seemingly ineffable
concepts wrapped in mystery is the purview of artists. Evocation rather than
explanation is the nuance that artists provide. And whether or not you have
heretofore thought of yourself as an artist, if you have answered the call
(clergy and lay alike) to bring the word of God to the people of God in speech,
music, visual, dramatic, or media expressions, you are a ritual artist. . . .
Ritual
artists do not create visual art for the gallery. They create in order to
engage a faith narrative through color and texture and line and dimension.
Ritual artists do not create music for the concert hall. They describe
encounter with the divine through crescendo and legato and phrase and pause.
Ritual artists do not create poetry or prose for the page. They write for
living, breathing bodies to hear, recite, whisper, and shout, expressing life’s
range of joy and lament.
So
even if you don’t think of yourself as an artist, if you have chosen or written
words for yourself or the congregation to say, picked out music for them to
sing, arranged poinsettias on the chancel area, played or sung a note, lowered
the lights, clicked on a slide, or turned on a microphone, you are a ritual
artist. . . .
Intentional
design is a process by which all the ritual artists work in a collaborative
manner, far enough in advance so that the worship of a community takes on the
character of a particular spiritual journey within a set period of time. That’s
a fancy way of saying, “Don’t wait until the week before Advent to start
thinking about what you will do for Advent.”
Artists do their best
work––whether it is a sermon, an anthem, a visual worship center or projected
media––when there is time to dream, ruminate, gather resources, and implement
the art with excellence. Then the art becomes not only a spiritual expression
at the time of worship but a spiritual journey in the preparation as well.
Marcia
McFee, “Ritual Artistry in a Digital Age: Planning Design with the World at Our
Fingertips,” Liturgy 30, no. 2 (2015):
3-9.
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